... with one downside: Many of our customers are not in a place where they can fulfill their own book orders. They don't have the time, the desire, or the physical capacity to run back and forth to the post office. We've wanted an inexpensive solution for them for a long time--and we didn't have one. Until now.
CreateSpace.com, which we have begun to use for customers, has an "eStore" option. Their eStore option is not to be confused with the "bookstore" common to most print-on-demand vendors. This one allows you to sell your book from your own website but have the order fulfilled by CreateSpace. They collect the money, print the book, ship it out and return about two thirds of your selling price to you. (Considering that they print the book, this is a good deal and much more attractive financially than what you can get from a traditional fulfillment house.)
The downside? You don't get the customer contact data. If this is important, and it should be if you're looking at your book customer as a potential repeat customer, you're better off taking orders on your website with the help of a PayPal account and somebody's footwork to the post office. The Publishing Pro.
Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts
Sunday, January 30, 2011
Wednesday, May 26, 2010
Turn Your Permissions Problem into Opportunity.
It's networking: I love almost everything about book publishing, but I have to acknowledge to my customers that the permissions game--that is, covering yourself by asking permission to use any material you want to quote--is a pain in the p'toot. It's mostly time-consuming paperwork, combined with the dread that you might not get permission to use an important quote--or, worse, be asked to pay for it. The person on the other end--the one who will give you permission--probably isn't having any fun either. (I speak from experience.) The only reason you go through this process is because it's the ethical thing to do (or, if the ethics aren't driving you, because it could keep you out of some big-time legal trouble).
Unfortunately, this sort of honesty isn't particularly motivating to authors. Quite the opposite. I was working through this dilemma with a would-be author when she pointed out that many of the people she was quoting were potential allies that she wanted to meet. In other words, they were "key contacts." It dawned on me that all of us could be looking at the permissions-gathering effort more as an opportunity for networking than as a strategy for staying out of legal trouble.
Think about it. When you quote somebody and give them credit, you're plugging their book and their work. Usually, they are going to be glad you're doing so. Moreover, chances are better than average that they will have a natural interest in what you're writing about. Asking permission to use their material is a great excuse for making contact. Of course, they may turn you over to the publisher to complete the paperwork, but by then you've accomplished two things: 1) talking to an important contact and 2) finding out where to go for written permission. The Publishing Pro.
Unfortunately, this sort of honesty isn't particularly motivating to authors. Quite the opposite. I was working through this dilemma with a would-be author when she pointed out that many of the people she was quoting were potential allies that she wanted to meet. In other words, they were "key contacts." It dawned on me that all of us could be looking at the permissions-gathering effort more as an opportunity for networking than as a strategy for staying out of legal trouble.
Think about it. When you quote somebody and give them credit, you're plugging their book and their work. Usually, they are going to be glad you're doing so. Moreover, chances are better than average that they will have a natural interest in what you're writing about. Asking permission to use their material is a great excuse for making contact. Of course, they may turn you over to the publisher to complete the paperwork, but by then you've accomplished two things: 1) talking to an important contact and 2) finding out where to go for written permission. The Publishing Pro.
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